![]() I don't have U2 By U2 in front of me, but I believe in one section Adam refers to Ted Nugent, and I think it's Stranglehold. Please let me know what your thoughts are. Lastly, if any trained musicians could possibly dissect both songs and compare them musicallyto see if there truly is a comparison in regards to music theory, that would begreat and would add to the discussion I believe. Mainly becauseI don’t want to believe it. So, in light of this, can everyone listen to the song onyoutube and tell me what you think in terms of the comparison with Bullet theBlue Sky? Do they sound eerily alike, or am I just going crazy? If they dosound alike, do you think U2 purposely copied Stranglehold, or is thiscoincidence? I really want to get other people’s perspective on this. This discovery got me pretty depressed, as Inever thought U2 would ever do such a thing and have created everything fromtheir own minds and hearts. But after I listened to Stranglehold, it sounded eerily similar to Bullet the Blue Sky,almost identical in some spots. Atfirst I didn’t want to believe that U2 would copy another artist, especiallywith one of my favorite U2 songs. However with that said, I recently saw on a popular guitarforum multiple people SLAM Bullet the Blue Sky as a complete knockoff of thesong Stranglehold ,by Ted Nugent. But before I get tomy main question and point, let me preface it by saying that I’m a huge U2 fanand they’re my favorite band. Find out five things you didn’t know about U2.This is my first post, and an odd one. It will also show exclusive interviews with artists, including Bono, David Byrne, Dee Snider, Tom Morello, Lars Urlich, Gloria Estefan, Gregg Allman, Jimmy Carter and others. through rock music, features more than 50 artists and political figures. The exhibit, which explores important socio-political topics in the U.S. The video is part of Louder Than Words: Rock, Power and Politics exhibit, which will premiere at the Rock and Roll Hall of Fame on May 20th and will run through November 27th. “As a student of non-violence I had a violent reaction to what I was witnessing,” he explains. “I used the language of the Scripture to describe the situation: ‘In the howling wind comes a stinging rain / See it driving nails /Into the souls in the tree of pain / From a firefly, a red orange glow / See the face of fear / Running scared on the valley below/ Bullet the blue sky.”Īs for the character Bono created that’s described in the lyrics as having a “face red like a rose in a thorn bush” and who’s “peeling off those dollar bills”? That was Ronald Reagan. He then went on to explain how the lyrics developed. “We strapped my feelings to the song ‘Bullets the Blue Sky,” he recounts. ![]() ![]() He spoke with Edge about what he’d been through in El Salvador, and with a “nod to Jimi Hendrix,” Edge put the “fear and loathing” into his guitar solo on the song. “And it upset me as a person who read the Scriptures, to think that Christians in America were supporting this kind of thing, this kind of proxy war because of these Communists.” Later he adds, “I was not a Communist, but I felt it was wrong.” And while he says he didn’t feel they were in danger at the time, he knew lives were being lost nearby. “I remember the ground shaking and I remember the smell I suppose of being near a war zone,” the singer recalls. The small group he was with went into the country’s hills. Bono says he visited with some Americans who were “offering solace to refugees in the war in El Salvador.” In the clip, Bono details his visit to El Salvador in 1986, which culminated in the band crafting “Bullet the Blue Sky.” At the time, Ronald Reagan was president and the U.S. Musically, myriad U2 songs also reflect their activism, including The Joshua Tree‘s “Bullet the Blue Sky.” In the new video above, Bono discusses the origins of the 1987 song. Among their many charitable works, they’ve been involved in the ONE campaign, which fights extreme poverty, and RED, which provides help for AIDS drugs in Africa. Throughout U2‘s career, they’ve been human rights activists, both through music and deed.
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